Posters get an upgrade

April 19, 2013
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CJ Entertainment, is the largest film distributor in South Korea. Much of their huge marketing budget was being spent on massive poster campaigns targeted at young moviegoers, but conventional posters seemed to have little, if any, effect on the choices of the smartphone generation. What would be the most effective way to reach out to them?

Wi-Fi poster, by Cheil, increased the film’s official website traffic by 28.5%.

Time spent on the websites by Wi-Fi poster visitors was 5 time longer than regular visitors’. The Wi-Fi Posters translated into actual numbers. Each access point recorded the tally of wireless connections made, how many of them led to page views, and ultimately to on-line ticket sales.

 

Lexus brings a Magazine to Life

January 31, 2013
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A rather nice way to bring those dull old magazine pages to life! Uses CinePrint, a technique Lexus has created to merge print and digital. Inspired by the stunning technology of the 2013 ES.

Created by Team One.

Stella Artois – Christmas Carole

December 21, 2012

StinkDigital and Mother London have created an interactive experience for Stella Artois that sends personalised messages to their brand fans.

The Facebook app integrates images of Christmas Carole on her journey with images of the recipient’s own city or town, using Google Street View and Google Maps.

“The aim was to create a seamless journey using Google’s location and maps technology in a very subtle way, and build to a magical moment at the culmination of the film where Christmas Carole arrives at the recipient’s home. During the shoot [SD] referred to our early prototypes using Google Streetview, and worked closely with director Nacho Gayan, and cinematographer Martin Ruhe, to ensure that assets shot on green screen used angles and reflections correctly.”

“The experience uses a combination of Google Streetview, Google Maps and satellite imagery, Google Places, and Google’s Directions and Geocoding APIs to build the custom background in each scene. Flash was then used to composite video in real time. To ensure the Google assets blended seamlessly with the film, every image was dynamically colour graded — while motion tracking user data and Streetview images — and even composited snow fall into each scene.”

The end result really is something to behold!

Meet the Superhumans

July 26, 2012
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Just 1 day to go until London hosts the greatest sporting show on earth.

Campaign Magazine take a look at the best 10 Olympic ads getting the nation’s pulses racing. There’s some great creative in there from a lot of great names, including: Wieden & Kennedy, RKCR/Y&R, 4Creative, BBH, Cheil, Mother and TBWA\Chiat\Day.

And my top choice? Well, over and above the great Adidas ‘Take The Stage’ (which I’ve talked about before), it’s Channel 4′s ‘Meet the Superhumans’ by 4Creative for the Paralympics. Wonderfully crafted, beautifully shot and very emotive.

What’s your top choice?

The Ad Agency Bloodline

July 16, 2012

Ever considered how the worlds top agencies are interconnected? The Ad Agency Bloodline infographic links them all up. It’s an interesting browse, and highlights the fact that great swathes of the creative world is really controlled by just a handful of major corporates. But is that a good thing?

It’s a big infographic, for a big subject, so check it out – here.

Adidas Take The Stage – Britain Be Great

July 6, 2012
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The latest ad in Adidas’ expansive Take the Stage campaign (created by SidLee) is an adrenaline-boosting Great Britain pridefest that’s more than contagious, it make (us Brits) believe.

Building on their last ‘Take The Stage’ ad, featuring Wretch 32, this one is certainly packed full of passion, crammed with character and brimming with British hope. Britain Be Great – Britain Is Great – It Is – Now I Believe.

Got my tickets, now I’m actually looking forward to it! #Olympics.

An ad is for life not just the media run

July 4, 2012
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I have to confess I’d not seen ‘Lamp’ before, I know – sorry! I stumbled across it after reading a (worth browsing) insightful article by CP+B’s Andrew Keller on Fast Company.

Lamp was released in September 2002 to promote IKEA in the US. Watching it just made me think (perhaps in contrast to the sentiment of the ad itself), a great ad is still a great ad, and can still be fresh even after 10 years, if you’ve never seen it before. And Lamp is a great ad.

Yes, there has been massive cultural shifts in the last decade, and in brand communications perhaps more that most, but people are still people, they still have emotions and feelings - tapping into those senses in a clever way, and mixing in a little humor, is still going to be a winner not matter what the channel. Creativity creates conversation.

That’s what CP+B achieved with Lamp – and it’s still impressive work.

UNIQLO generate interest in Pinterest

July 2, 2012
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So Pinterest have been doing a good job of generating interest in their growing social network of late, and there’s been plenty of talk about how brands can capitalise on the platform’s current popularity. But, until now, I’ve not seen a really create campaign directed specifically at the network.

Uniqlo always seem to make a habit of ‘being there’ when interesting use of digital media gets mentioned, and with this campaign they’ve done it again. Working with Firstborn, they’ve developed a visual campaign on Pinterest that just feels very creative, and has certainly caught the attention of the wider web (Mashable).

Using more than 100 shell accounts, a team of more than a dozen simultaneously pinned rows of long graphics in a five-category takeover. As users scrolled, the graphics appeared animated in the style of an old film strip.

It’s a great idea, and the “don’t advertise on out network” warnings are probably outstripped by being the first to do it. And, as a bonus, it’s nicely crafted – so that makes it alright (this time!).

McDonald’s Hamburger Timetable

June 19, 2012
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In cooperation with PKP (Polish State Railways), DDB have created a special ‘timetable’ and installed it on the way to McDonald’s.

It tells you train departure time, destination, platform and waiting time measured not in minutes or hours but… in the hamburgers, cokes and fries you manage to eat before your train leaves.

It’s a nice idea, but with all the train delays I seem to have had recently I’d be the size of a house! It just seems a little too close to Super Size Me all over again!

Still the campaign has certainly achieved some great results, so maybe we can learn from DDB and the WCML can learn from PKP .

Daybreak: A new form of experiential advertising?

June 14, 2012
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The old adage ‘Content is king’ has, today, never been so true. In our ultra socially connected world, everyone is working harder to become front-of-mind, top-of-search or in-with-the-chatter – all with the express aim of getting noticed. But what’s the secret to being popular?

Advertising is dead

It’s been well documented, in this blog as everywhere, that traditional advertising stopped working a long time ago (although it’s always interesting to see the budgets still there!), so brands (and bloggers) have long been on the hunt to uncover what actually does work. What’ll make you the most popular kid on the block.

Perhaps unsurprisingly they’ve found their answer, and it’s and answer that should never have been forgotten. A simple truth that’s always been the mantra of the good – the king of things that work is content.

But what makes content good? What will make it popular? And how do you get people to talk about it? Well, that’s the challenge facing brands today and it’s throwing up some really interesting ideas.

I love a good story told well

Throughout history, people have used great stories to attract and engage. Ever since the first people came together around a protective fire, they have used the power of narrative to both educate and entertain. Storytelling has always been the lifeblood social infrastructure.

I guess the pure beauty of this type of communication is that the fundamentals haven’t changed in the millennia that we’ve been plying it. Yes, concepts such as the story arc may have introduced structure and process to the craft, but a good story has always been a good story and it’ll always get people talking.

The thing that has changed over time is the way we tell our stories and the channels we use to impart them to their audience.

Daybreak is just one of those stories.

Layering content for engaging experiences

Daybreak essentially expands on the history of storytelling in advertising with a new campaign for AT&T. Created by a partnership between BBDO, North Kingdom and Monterosa, Daybreak is an ARG that uses a mix of media to communicate its narrative through a variety of channels.

The layered digital campaign opens a new phase in AT&T’s ‘Rethink Possible’ platform and aims to highlight its 4G network and product innovations. Taking content from season one of Tim Kring’s Fox series Touch, the five-part mini-drama spreads engagement across two dedicated sites as well as smart iOS and Android mobile apps.

Although Daybreak isn’t the first ARG that’s been created (it certainly follows a similar path to the much documented Lost marketing campaigns), it is interesting to see this type of campaign being employed in what is essentially a brand advert.

It’s going to be interesting to track the success of this highly intricate campaign, both in terms of engagement (visits + returns and app downloads) as well as ongoing brand loyalty. Ultimately success will be marked by product sales directly derived from the campaign’s influence.

The truth is out there – content is king

What I think Daybreak does prove, even in its early stages, is that now, more than ever, has to be the time of exceptional content. Context and creativity must take centre stage both within the development of ideas and the delivery media selected.

So, what’s the secret of creating popular content? Develop interesting, relevant ideas through understanding and real customer insight, produce quality creative that will engage and inspire it audience to act, then deliver your message employing a long form, multi-channeled method that will foster a tangible sense of audience ownership.

Overall by making you message entertaining, educational or both, by challenging your audience and by situating palpable participation, you’ll be going a long way towards creating exceptional content. And telling a great story.

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by____ Gavin Johnson